How to Use Art History Brush Tool in Photoshop Cs6

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The Art History Castor isn't the most popular tool that Photoshop has, but it can be a pretty handy i. It can be a fleck complicated, so here is some information to become you started.

1. 1

   Take a Snapshot. Get to the History panel and click on the snapshot (small camera in the lower right of the dialog box) Y .

2. ii

   Select the Fine art History Brush tool.

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3. 3

   Get to the Options bar across the top. Choose the following options:

   • Select a brush from the Brush Presets picker. Ready your desired options for the effect that you desire. You tin ever change it and you probably volition.
   • Cull a blending mode. The look of the brush will vary greatly depending on the manner you select.
   • Choice a manner that you similar. For regular brush strokes, the first few are great. If yous want to get 'fancy,' effort some of the others. It'due south all nearly what you want as an creative person. The style controls the shape of your paint stroke.
   • For the area, enter a value in the dialog box that specifies the are that y'all want to be covered past pigment strokes. Be sure to experiment with unlike settings. The smaller the area, the less afflicted the target expanse will be.
   • Set the Tolerance. This will limit the expanse that the paint strokes can be applied to. A low tolerance will let you lot paint an unlimited number of brush strokes, anywhere. A high tolerance will but paint in areas that are considerably different from the colour in the snapshot. Again, experiment.

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1. 1

   Accept a Snapshot of your paradigm. For the Art History Brush to work, y'all need to accept a electric current Snapshot of your paradigm to exist in the History. Remember that Snapshots practice not remain with the file once you close it.

   • If you lot run into the 'ghostbuster' icon on your screen, you probably forgot to become the Snapshot that you demand.

2. 2

   Select the brush size that you want (should exist fairly big) and scribble (pigment) over the entire image, (three to v hundred (300 - 500px)). You want your colors that are in your epitome to show up, but no definition.

3. three

   Reduce the size of the brush. Experiment with what you lot are doing, specifically, but reducing it by half is a practiced start. Scribble all over the image once again, concentrating a bit more on your bailiwick.

4. 4

   Continue doing this. Concentrating more and more on what yous want to bring focus on.

5. 5

   Sharpen up a few places where you want your viewer to focus. As you get down to a 5 - 10px size castor, really focus on the office that you want to be clear and 'in focus'. Again, remember, this isn't a photograph then 'in focus' is all relative.

6. 6

   Finish it upward with the well-nigh clarity where you want your viewer to look.

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• As a lensman, you may find it hard to allow your prototype to be painterly enough. You don't want the image to exist too sharp. That is a photograph. A painting isn't, and can't be, that sharp.

• Use the square subclass keys to make your brushes larger [ and smaller ] on the fly.

• Apply this effect on a divide layer and use masks if you want to isolate any role of the image.

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